Dumbo Part 17
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The music has a melancholy quality that tempers the joy of the reunion with an underlying sadness.
A great deal of the power of this sequence comes from touch. All the animals except the ostriches are sleeping while physically touching each other. There is much physical contact between Dumbo and his mother. The rocking, in shots 1.2 and 12, though done with an elephant's trunk instead of human arms, is familiar to everyone in the audience, parent or child. The caressing in shot 1.1 is also familiar. As a species, we need physical contact with our loved ones in order to feel secure.
Here are a series of frames from scene 1.1, animated by Bill Tytla.
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This is a bravura piece of animation. The way in which Tytla animates Dumbo losing control contains great emotional truth and, for me, is what elevates this shot to a level few other shots (or animators) can match.
When it is time to leave, their trunks maintain contact for as long as possible. That touch is central to their relationship and once their contact is broken, Dumbo is once again vulnerable in a cruel world.
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