The Vault of Walt

Here's a Disney book I'm looking forward to reading. I've known Jim Korkis in print for several decades and have always enjoyed his writing and his passion for animation history. He's the co-author (with John Cawley) of several out-of-print books such as How To Create Animation, Cartoon Confidential and The Encyclopedia of Cartoon Superstars. He has contributed numerous articles to Mouse Planet under the pseudonym Wade Sampson, a name taken to avoid any conflict with his former employment at Walt Disney World (and bonus points to you if you know where the name came from).

The book is over 400 pages of articles concerning Walt Disney, his films, and his theme parks. Many are based on Korkis's own conversations with Disney employees over the years in addition to historical research. For instance, I'm interested to read why the FBI opened a file concerning the original Mickey Mouse Club.

Here's a list of the book's contents:

Part One: The Walt Stories

The Miniature Worlds of Walt (Walt’s fascination with making miniatures)
Santa Walt (Walt’s feelings about Christmas and a special family gift)
Horsing Around: Walt and Polo
Walt’s School Daze (Walt’s public school education)
Gospel According to Walt (Walt’s feelings about religion)
Walt and DeMolay
Extra! Extra! Read All About It! (Walt’s adventures as a newspaper boy)
Walt’s Return to Marceline 1956
Walt’s 30th Wedding Anniversary (The very first Disneyland party)

Part Two: The Disney Film Stories

Disney’s Ham Actors: The Three Little Pigs (Including the Rarely Seen Spanish cartoon)
Snow White Christmas Premiere (Description of the event at the Carthay Circle in 1937)
Destino (The true story behind Salvador Dali’s collaboration with Walt Disney)
Song of the South Premiere (Description of the event in Atlanta in 1946)
The Alice in Wonderland That Never Was (The Aldous Huxley script never filmed)
Secret Origin of The Aristocats
So Dear To My Heart (The neglected film that inspired many Disney firsts)
Toby Tyler (How Walt recreated the circus of his youth with authentic props)
Lt. Robin Crusoe U.S.N. (Only film with a story credit for Walt Disney)
Blackbeard’s Ghost (Last live action film made while Walt was alive)

Part Three: The Disney Park Stories

Cinderella’s Golden Carrousel (The complete history of a genuine antique)
Circarama 1955 (The very first 360 degree theater show at Disneyland)
Story of Storybook Land
Liberty Street 1959 (Walt’s planned addition to Disneyland that never was)
Sleeping Beauty Castle Walk Through
Zorro at Disneyland (How Guy Williams and friends entertained in Frontierland)
Tom Sawyer Island
Epcot Fountain (The true meaning behind the popular landmark)
Captain EO (The only complete story in print about Michael Jackson’s 3-D film)
Mickey Mouse Revue (How and why the beloved attraction was created)

Part Four: The Other Worlds of Disney Stories

Khrushchev and Disneyland (Russian leader denied entrance to Disneyland)
A/K/A The Gray Seal (Walt’s favorite pulp mystery hero)
Mickey Mouse Theater of the Air (The unknown radio show from the Thirties)
Golden Oak Ranch (Location where Disney classic live action films were made)
Disney Goes To Macy’s
Tinker Bell Tales (The first Disneyland Tinker Bells and much more)
Mickey Mouse Club: FBI’s Most Wanted (Why Walt got in trouble with J. Edgar Hoover)
Chuck Jones: Four Months at Disney (Pepe Le Pew’s father’s troubles at Disney)
Walt’s Women: Two Forgotten Influences (Walt’s Housekeeper and Studio nurse)

The Disney History blog has posted an interview with Korkis about the book, which is currently available from Create Space and will be available from Amazon in early October.

Comments

Post a Comment

Popular posts from this blog

Dumbo Part 11

Image
How many elephants in a pyramid? In shot 1, there are eight elephants standing around the ringmaster. In shot 4, there are seven around the ringmaster. In shot 23, the pyramid consists of six elephants. In shot 40.1, there are eight elephants in the pyramid. In shot 41.1, there are seven, as there are in shot 51.1. All of this takes place before they trip over Dumbo and scatter, so the number should be consistent. Hugh Fraser does excellent work in this sequence. He manages to capture the drawing and the personalities of the elephants in a manner consistent with Bill Tytla's work. He does that while dealing with multiple characters whose weight must be animated believably or the sequence loses its effectiveness. Shot 10.2. gets even more complicated with one of the elephants being swung towards and away from the camera, adding a size change to the rest of the difficulties. While Fraser has Tytla's work as a template, the animation challenges here are possibly great...
Read more

What Does A HOME, Mean To You?

By  Richard Brody   Most of us, have heard, the expression, A house, is not, a home, but, we often, pay far too little attention, to that, before we commit to purchasing a particular house. Wouldn't it make sense, if, we spent, a little more time, and effort, considering, what would make us, consider it, to be, a HOME, and what emotional, family, and personal considerations, and necessities, might differentiate between, simply living in some house, and truly, making it, a home, of our own? With that in mind, this article will attempt to briefly, review, consider, and discuss, using the mnemonic approach, some of the key components, involved, etc. 1. Human; humane; heart; heals; houses: A key difference, to consider, in advance, is beginning the process, by delving deeply, into our personal needs, etc, realistically, and based on our real, human priorities, including, whether, it will fulfill some of our humane - needs, such as how it might, address, family needs and consid...
Read more

Dumbo Part 7

Image
Once again, the principle of contrast is front and center here. The first half of the sequence is relaxed and heartwarming while the later half is tense and frightening. The bath section is really a musical sequence, though there are no lyrics. The animation has been tied tightly to the beat and melody of the music. Certainly that was a specialty of sequence director Wilfred Jackson. Animator Bill Tytla, himself the parent of a young son at the time, perfectly captures how a parent and child tease each other and play games, both secure in their loving relationship. One thing that makes their relationship obvious to the audience is the use of touch. Touch is a powerful way of communicating in life and on film. A caress, a pat on the back or a punch in the nose all communicate clearly. Mrs. Jumbo's trunk is there to wash her child, lift her child or caress it. Dumbo pulls on his mother's tail. The willing physical connection between the two makes their feelings for each ...
Read more